{"id":119174,"date":"2022-01-04T00:01:14","date_gmt":"2022-01-04T05:01:14","guid":{"rendered":"https:\/\/setonshrine.org\/?p=119174"},"modified":"2022-02-11T10:36:58","modified_gmt":"2022-02-11T15:36:58","slug":"seton-thomas-merton-loves-music-and-the-yes-of-the-convert","status":"publish","type":"post","link":"https:\/\/setonshrine.org\/es\/seton-thomas-merton-loves-music-and-the-yes-of-the-convert\/","title":{"rendered":"Love\u2019s Music and the \u2018Yes\u2019 of the Convert"},"content":{"rendered":"

My wife and I are sitting in the audience of the main hall at Thomas Aquinas College here in Northfield. There are two performers up on the stage: Louisa Stonehill, dressed in a lovely black gown, standing there stage center playing the violin, and Nicholas Burns, seated at the piano. There are perhaps 150 students and faculty in the audience, many with face masks because of this lingering Covid pestilence. First, it\u2019s the minimalist Arvo P\u00e4rt, a few notes played over and over, with subtle repetitions. Then it\u2019s Mendelssohn\u2019s Violin Sonata in F. And now, after an intermission, Richard Strauss\u2019s thirty-minute Violin Sonata in E-flat begins unweaving before us.<\/p>\n

And there they are: the piano initiating the action, then the violinist in response. At first she responds hesitantly, then begins giving more of herself. Then more. Yes, the music is mesmerizing, but there\u2019s something deeper going on, and I\u2019m trying to find words\u2014like Dante\u2014to understand what it is I\u2019m actually hearing. And here\u2019s the thing: it\u2019s the logic of words I\u2019m trying to work with, even as the sublime music envelops and covers me in its penumbra.<\/p>\n

And once again it\u2019s Elizabeth Ann Seton I\u2019m thinking of: the probing questions, the Mystery unfolding as Love itself unfolds. And you hear it: the male and female of it, the piano questioning, trying to draw closer to the chords of the violin. And there it is: three full strikes across the nerve-tingling strings of the violin! A yes, and then another yes! And then another! That slow, methodical piano introduction, like Christ leading us, step by gentle step, until we give ourselves over\u2014if we are fortunate enough\u2014into that exuberant Allegro. That irresistible give and take and give, ending in that shout of joy and ecstatic release.<\/p>\n

And when I return home that night, my mind still preoccupied with what I\u2019ve experienced, I try to understand what it was I felt in that darkened cocoon of a chamber. And sure enough, there it is: Strauss, the young composer, twenty-three years old, falling in love with Pauline de Ahna, soprano, whom he will wed and raise a family with, reaching out with the music of angels.<\/p>\n

Which leads to my second movement: Thomas Merton. It\u2019s September 1938, a cold, gray rainy fall day in Manhattan. Merton, also twenty-three, is studying in a small room on West 114th Street for his doctorate in English literature at Columbia University. War is on the horizon in Europe and the Far East and Merton knows it is just a matter of time before his draft notice arrives and he will, as he sardonically notes, receive \u201ca piece of metal with my number on it … so as to help out the circulation of red-tape that would necessarily follow the disposal of my remains.”<\/p>\n

He understands too well that in the larger scheme of things he does not matter, that his \u201clikes or dislikes, beliefs or disbeliefs\u201d mean absolutely nothing \u201cin the external, political order.\u201d Whatever his particular and unique, never-to-be-repeated consciousness might register, it means nothing to the overall welfare of the State. He is just one more individual in a world in which the individual has ceased to count.<\/p>\n

And then he picks up a biography written by a Fr. Lahey, a Jesuit priest and scholar, some years earlier. It\u2019s about another Jesuit priest who died half a century before whose name was Gerard Manley Hopkins. Merton has already been attracted to Hopkins by some of his poems, but now he learns that Hopkins, raised as an Anglican, and a brilliant student at Balliol College, Oxford, converted to Catholicism at the age Merton is now. And because he\u2019s been thinking of writing his dissertation on Hopkins, he dips into Lahey\u2019s biography and discovers that Hopkins, under the influence of John Henry Newman, himself a convert, took the bold step\u2014against the advice of his Oxford dons and his own family\u2019s wishes\u2014of becoming a Roman Catholic.<\/p>\n

And then, as Merton himself tells the story, “All of a sudden something began to stir within me, something began to push me, to prompt me: a movement that spoke like a voice. \u2018What are you waiting for?’ it said. \u2018Why are you sitting here? Why do you still hesitate? You know what you ought to do? Why don’t you do it?’\u201d<\/p>\n

He lights a cigarette, then looks out the window at the rain, trying to shut the voice up. Don’t act on your impulses, he warns himself. \u201cThis is crazy. This is not rational. Read your book.” But the voice grows even more insistent. “It’s useless to hesitate any longer,\u201d he hears. \u201cWhy don’t you get up and go?” And then the violin chord, and he\u2019s putting on his raincoat, and then he\u2019s heading up Broadway in the light rain. And then, he tells us, \u201ceverything inside me began to sing.”<\/p>\n

Then it\u2019s over to the presbytery at Corpus Christi Church to talk to Fr. Ford, the pastor, who happens to be out. But as he leaves, he sees the priest walking down the street toward him, and he asks if he can talk to him, and the priest invites him into the parlor. And, like that, Merton blurts out that he wants to become a Catholic … now, now, or as soon as possible. And with that Fr. Ford gives him three books to read and arranges for Merton to return for instruction. And the rest is history: a rich, vibrant history which \u2013like good music\u2014resounds down the halls of memory.<\/p>\n

Which leads to the third movement with its Coda. It\u2019s Manhattan again, but it\u2019s 135 years earlier, and we\u2019re down around the Battery, where Elizabeth Ann Seton lives with her family and relatives. She\u2019s thirty now, a wife, mother of five\u2014three girls and two boys\u2014and now a widow, her beloved husband Will gone, having succumbed to and buried in the Protestant Cemetery in Florence, Italy, following a months\u2019 long internment in a former prison off Livorno, chillingly called the Lazaretto. She\u2019s a devout Episcopalian associated with Trinity Church, but she has seen something in the churches and basilicas of Florence, and the faith of these Catholics, which has drawn her and continues to do so, in spite of the personal costs of leaving the Episcopal Church behind and joining those mostly despised Catholics.<\/p>\n

And the struggle. You\u2019re a mother now, and a widow, her dear Protestant friends remind her. And this is New York and the New World. Come, dear girl, come over to the Church of Scotland, one friend tells her. Listen to the sermons of our Presbyterian preacher, and you will find comfort. And then her dear Quaker friend, telling her, in the sweetest way possible, to come follow her. Then too there are her Anabaptist and Methodist friends, as well as her confidant and spiritual counsellor, Rev. Hobart, of Trinity Episcopal.<\/p>\n

And then that violin strike. That yes, and that yes again! \u201cI WILL GO PEACEABLY and FIRMLY TO THE CATHOLIC CHURCH,\u201d she has resolved, \u201cfor if Faith is so important to our salvation, I will seek it where true Faith first began and seek it among those who received it from GOD HIMSELF.\u201d<\/p>\n

And so it begins, and continues down the years for the woman Elizabeth Ann Seton, who will found the Sisters of Charity and in time become the first American-born citizen to be recognized as a saint.<\/p>\n

Yes. That violin strike. That yes, and yes again, in spite of all the crosses along with the joys she will carry in her heart in the precious time she has left.<\/p>\n

 <\/p>\n

\"\"PAUL MARIANI<\/strong> es Catedr\u00e1tico em\u00e9rito de Ingl\u00e9s en el Boston College. Es autor de diecinueve libros, entre ellos biograf\u00edas de William Carlos Williams, Gerard Manley Hopkins y Wallace Stevens. Sus anteriores vol\u00famenes de poes\u00eda incluyen Epitafios para el viaje, La gran rueda y Operaciones de salvamento. Tambi\u00e9n es autor de Treinta d\u00edas: On Retreat with the Exercises of St. Ignatius y The Mystery of It All: The Vocation of Poetry in the Twilight of Modernity.<\/p>\n

Image: Thomas Merton \/ Everett Collection Inc \/ Alamy Stock Photo<\/em><\/p>","protected":false},"excerpt":{"rendered":"

The lives of Thomas Merton and Elizabeth Ann Seton make for rich, vibrant history which\u2014like good music\u2014resounds down the halls of memory. <\/p>","protected":false},"author":422,"featured_media":119176,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"mc4wp_mailchimp_campaign":[],"footnotes":""},"categories":[4187],"tags":[],"class_list":["post-119174","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-seton-culture"],"acf":[],"yoast_head":"\nLove\u2019s Music and the \u2018Yes\u2019 of the Convert - Seton Shrine %<\/title>\n<meta name=\"description\" content=\"The lives of Thomas Merton and Elizabeth Ann Seton make for a rich, vibrant history which\u2014like good music\u2014resounds down the halls of memory.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/setonshrine.org\/es\/seton-thomas-merton-loves-music-and-the-yes-of-the-convert\/\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Love\u2019s Music and the \u2018Yes\u2019 of the Convert - 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